Pezhman Farhangi (born 1991), who performs under the stage name Peter Far (PRS), is a self-taught musician, guitarist, composer and sound artist based in London, United Kingdom. He is best known as the founder and sole creative force behind IUS (registered trademark I/US Music®). His work blends atmospheric, acoustic-electronic textures that are well suited to film, television series, video games, trailers and visual art installations. Peter writes and masters his music independently and retains full ownership of his compositions and masters. He is a member of the Musicians’ Union (UK).
Before focusing on music, Peter studied civil engineering and later pivoted to pursue his passion for sound. He adopted the stage name “Peter Far” to create a streamlined, internationally recognisable identity. In April 2025, he registered the name I/US Music® in the United Kingdom (UK00004243563), covering services including composition, recording, production and performance.
Launched in April 2025, IUS is a solo project by London-based composer, guitarist and sound artist Peter Far. The catalogue focuses on dark, atmospheric and progressive rock with cinematic and contemporary classical elements, written primarily for recorded release and potential use in visual media. The works range from short cues to longer, structured pieces suitable for film, series, games, trailers, installations and other screen-based formats. Peter oversees composition, arrangement, production, recording, mixing and self-mastering, retaining control of both the compositions and masters.
The IUS project is shaped by influences from rock, ambient, electronic and contemporary orchestral music, as well as film, television and video-game scoring. Rather than highlighting specific artists or titles, Peter focuses on form, texture and dynamics, aiming to create material that works both as standalone listening and as music for picture.
In addition to composing music, Peter is an emerging storyteller in the horror genre. He is writing a series of short horror stories and plans to adapt one into a short film. He is also developing a text-based interactive horror game with dark, narrative-driven experiences. These multimedia projects are currently in development and not yet public. Peter seeks collaborators for composing scores and co-writing narratives for films, games and interactive media.
Peter keeps a low online profile and focuses on music platforms rather than social media. Major announcements, such as the ASHES album reveal, are shared through his official website and YouTube channel.
For commissions, collaborations or enquiries, please contact iusmusics@gmail.com. Based in London, UK.
Outside of his musical career, Peter is a faith‑driven humanitarian professional with extensive experience in direct service, advocacy and community support. He has cultivated key skills in humanitarian support and crisis intervention, refugee advocacy and cultural awareness, leadership and supervision of multidisciplinary teams, data management and GDPR compliance, strong communication and interpersonal abilities, technical proficiency with Microsoft Office and livestream technology, and analytical and research approaches.
Peter Far (born 1991; legal name Pezhman Farhangi) is a London‑based musician, writer and advocate known not only for his work under the brand I/US Music® but also for extensive public engagement on ethical innovation, social justice and civic policy. The artist biography above outlines his musical career; this extension documents his non‑musical contributions, grouped by government and parliamentary submissions, societal proposals and civic initiatives, and technology and research projects. All dates and factual details are presented for reference.
On 3 December 2025 Peter submitted a suite of letters to government bodies and corporations advocating for reuse mandates and deposit schemes for e‑commerce packaging. Each letter tackled a different audience:
Copies of these letters were also sent to various regulators and oversight bodies to ensure wide distribution and to maximise impact.
This document, titled “Integrated Public Safety & Health Initiative: Community Response & Support Officers (CRSOs) + Asylum Education,” builds on the CSSO concept and emphasises an emergency health track alongside public safety duties. It also advocates for mandatory English‑language and legal education for asylum seekers before they access work, including language training, legal orientation courses covering UK laws and rights, and a statement of understanding confirming comprehension. Training is integrated into emergency accommodation, certification is required for work eligibility and continuous learning support is provided. The aim is faster economic integration, fewer legal violations and reduced dependence on government support.
The document “Humane Animal Fertility Ethics – Path to Better Practices in the UK” advocates transitioning from routine surgical sterilisation to non‑invasive, reversible fertility control methods. It highlights animal welfare and the need to respect bodily integrity and natural behaviour while maintaining population management. The proposal introduces a fertility control ladder prioritising non‑invasive options (Tier 1) such as oral or injectable immunocontraceptives and hormone‑free gene regulators; partial or targeted infertility methods (Tier 2) such as ovary‑sparing spays and vas deferens sealing; and surgical sterilisation as a last resort (Tier 3). Implementation strategies include pilot studies through veterinary institutions, economic modelling, stakeholder engagement with veterinary bodies and regulators, and funding through public grants and Innovate UK programmes.
Prepared in January 2026, this pilot proposal outlines a voluntary, trust‑based settlement of 100–200 adults to test whether a low‑coercion community can remain safe, cooperative and self‑reliant within existing legal frameworks. It combines minimal rules, rotating democratic councils and shared responsibility with sustainable infrastructure—modular housing, solar microgrids, rainwater harvesting and permaculture agriculture—alongside on‑site healthcare, mental‑health support and rigorous evaluation metrics.
Issued 20 January 2026, the Dual‑Role Social Framework proposes dividing society into complementary roles: Preservers, who maintain and improve essential systems such as health, infrastructure and education, and Explorers, who undertake long‑horizon research and creation insulated from short‑term pressures. The model emphasises role‑based rights and incentives rather than geographic separation, with independent governance, peer accountability, structured entry and transition pathways and an economic and tax model that provides basic security while preventing abuse.
Project Eva proposes development of the world’s first offline, privacy‑preserving AI robot companion for home, office and assistive use. Unlike cloud‑dependent devices, EVA would operate entirely locally, providing emotional interaction, practical assistance and safe minimal mobility. Led by Pezhman Farhangi, the project envisions a UK‑based team recruiting engineering, AI and design talent and partnering with universities, research labs and local manufacturing partners. Development steps include team recruitment, design and prototyping focusing on offline AI and safe assistive robotics, integration of hardware and software for local processing and establishment of local manufacturing and supply chains. The value proposition emphasises privacy, safety and local innovation, targeting a broad customer base and aligning with sustainability goals such as responsible consumption and production.
Updated in January 2026, this research proposal explores whether structured, silent, non‑visual co‑presence among strangers can produce measurable changes in subjective attunement, interoceptive awareness and autonomic synchrony. Drawing on predictive processing and active inference theories of consciousness, the proposal situates interoception as a core component of social connection. Research questions ask whether silent co‑presence increases interoceptive awareness and interpersonal attunement, whether repeated weekly sessions deepen these effects, and whether subjective reports correlate with physiological markers such as heart‑rate variability, skin conductance and respiration. The mixed‑methods repeated‑measures design enrols stranger dyads for weekly 30‑minute sessions with back‑to‑back or screened seating. Data include autonomic measures and self‑report scales. Hypotheses predict increases in reported attunement and autonomic synchrony across sessions and a positive association between subjective and physiological measures.
Beyond its policy recommendations, the animal‑fertility proposal includes a research agenda advocating multi‑centre pilot studies on immunocontraceptives, gene regulators and targeted infertility methods. These studies would assess reversibility, welfare outcomes and cost‑effectiveness, partnering with veterinary institutions and regulators. The research agenda underscores Peter’s commitment to evidence‑based animal welfare.
Peter has authored reflective writings exploring consciousness, misalignment and metaphysics. Proof of Misplacement argues that consciousness can perceive misalignment with deeper reality and that yearning for what is beyond structural limits is valid knowledge; it cautions that death is not a pathway to liberation. The Pattern of the Fracture Across Civilizations serves as an introductory chapter to a larger work, asserting that myths across cultures point to an ancient fracture and that readers may carry an implicit memory of wholeness. These pieces illustrate his philosophical interests.
‘Live Core’ proposes a field‑confined high‑energy storage and propulsion concept that merges flywheel energy storage, magnetic levitation and plasma‑confinement techniques. A rotating high‑energy core – either a solid rotor or circulating plasma – is suspended within a vacuum chamber by shaped electromagnetic fields rather than mechanical bearings, creating a contact‑free “electromagnetic bubble.” Timed, geometry‑tailored field actuation (“phase‑steered containment”) manages energy exchange and mitigates transients by redirecting energy into electromagnetic and electrical domains. Safety is engineered through secondary containment, touchdown systems and fault‑injection tests. The concept outlines a staged experimental roadmap and, if validated, could inform next‑generation high‑cycle energy storage, pulsed‑power buffering and momentum‑exchange systems.
This 2026 update argues that quantum mechanics and general relativity are effective but incompatible approximations. Building on recent research in gauge‑field gravity and relational time, it calls for a conceptual reset in fundamental physics where spacetime and time emerge from quantum information. The framework critiques ad‑hoc patches such as dark matter, inflation and multiverse hypotheses and advocates analog experiments, quantum simulations and gauge theories as prototypes for a deeper theory.
External Cognition Modules (ECM) are a modular, offline knowledge‑augmentation system described in January 2026. Designed as a privacy‑first ‘external brain’, ECM provides gated retrieval from locally stored domain modules through low‑friction interfaces such as voice, gaze or optional assistive brain‑computer inputs. The proposal defines knowledge‑module schemas, a secure on‑device runtime, intentional gating and work packages for module specification, secure retrieval, user interaction and optional assistive pathways, emphasising auditability and user control.
Peter Far’s public contributions extend far beyond his musical career. He has leveraged personal experience to highlight systemic injustices in the asylum system, campaigned for national security reforms concerning the Iranian regime, and advocated for environmental responsibility through reuse mandates. His societal proposals aim to integrate migrants into community safety roles, provide humane shelter solutions for homeless men, recognise the cultural heritage of major faith groups and reform animal‑fertility practices. On the technological front, he has drafted ambitious plans for an offshore research zone governed by ethical oversight, conceptualised a privacy‑preserving AI companion robot and developed research proposals exploring human consciousness and interoception. Collectively, these efforts demonstrate a commitment to ethical innovation, social justice and civic engagement.
IUS (PRS: IUS) is the performing name of the artist. I/US Music® is the brand. All website content including design, images, official logos, and music is the intellectual property of I/US Music®. All rights reserved. © I/US Music®.
ISNI 0000 0005 2827 1416. I/US Music® is a UK registered trademark (No. UK00004243563).